She ran outside,
stood in the street and screamed at the war,
hoping it would kill her;
it having eaten her eldest son,
and after thirteen days of red,
her husband.
Over twenty years later, every day
she walks a stony road,
unlocks the door to the village's humble
gallery of photos;
one hundred fifty family folk with soldier hearts,
sepia faces,
hung there to watch,
keep guard over their memories.
In the dusty cemetery families buried
all the guns;
AR 15s filled the graves,
so as to find their suited death
with death.
Yet, those graven markers point us up,
indicate to Whom they hope the victims fled;
these wobbly, countless Jesus fingers
poke through el barro de carne y hueso,
(the mud of meat and bone)
aiming at, directing us to safety.
Regarding Maria Gonzalez and theCopyright (c) 2007 Gary Brown
Mothers of Heroes and Martyrs Museum in Esteli, Nicaragua
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